Category Archives: New York Stuff

On Bass

Rejected titles for this post: Bass is Loaded, All Your Bass Are Belong to Us, Bass Masters, Who’s the Bass?

“Bass players are the cool ones.” People always say that when I tell them I play the bass. I won’t say it’s always true (I’m proof of that), but the image I have in my head of bass players is of Adam Clayton of U2, or the dudes from The Hold Steady and Arcade Fire–cool guys that stand at the back of the stage and calmly do their thing while all around them is chaos. I remember watching a huge Oasis concert maybe 10 or 15 years ago, and there on the stage, the bass player was sitting on a bar stool with his legs crossed. He was so cool he couldn’t even be bothered to stand!

Obviously, there are exceptions. Sting for one, Paul McCartney for another. Great bass players, great songwriters, but not “cool” in the sense of “the opposite of hot.”

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A Week of Music

Apologies in advance…this is going to be one of those “I love New York City ohmygosh I wanna live here forever NYC is so cool!” posts.

But seriously, I love New York…there’s always something random happening. Case in point, my band Shakedown at the Majestic’s show on Thursday night at Sullivan Hall in the West Village. (That’s not the random part)

Our opener was the Long Island version of Dave Matthews band. Jangly acoustic guitar, wailing sax, busy drums, funky bass, the whole bit, only they were totally Long-Island looking. And their fans were INTO it like it was Charlottesville in 1992.

My band gets up, plays a pretty good set. We thought we were headlining the evening, but when we were done, a guy came up on stage and started setting up a DJ rig. Turns out, some traveling Japanese troupe was doing a variety revue or a talent show or something to benefit Japan. So of course we have to stick around to see what happens

Hip hop singers, break dancers, vaudeville-style dancers, the whole bit…the talent show portion lasted for about an hour, and it was full of surprises…great stuff. All my friends that came to see my band stuck around and had a great time.

THEN, a dance troupe of 10 Japanese women in geisha getup got up and performed for another hour, complete with singing, dancing, and like 20 costume changes! Seriously, my whole group was agog…it was amazing, and they were performing at this point for like 30 people.

We eventually decided it was too much awesome for one night, so we left and went to the little hole-in-the-wall next door, where there just happened to be a 20-piece salsa band crammed onto a stage for Latin Night.

On Saturday night, I went with my old PCMag friend Whitney to see Patrick Stump perform (I spared Corinne…she’s not a Fall Out Boy fan). I’ve been saying for years that Stump was the most soulful singer in rock music (Exhibit A, Exhibit B, and Exhibit C is all the weird a cappella medleys he’s been posting on youtube). My music snob friends make fun of me, but Saturday was total vindication.

Fall Out Boy is on hiatus for now, and Stump has recorded a solo record comprised of somewhat over-produced soul and R&B tracks. It’s a bit like a caffeinated Justin Timberlake, but without the self-seriousness. But the songs were amazing live. Seriously, he burned the place down. The show was at Joe’s Pub, this intimate venue with table seating for maybe 100 or 150…everyone’s sitting with food and drinks in front of them, and the tables are right up against the stage. You could say something in a regular voice and be heard up on stage between songs.

Stump had some of the best musicians in the world backing him up, and their sound was tight. Whitney and I were like “It’s too bad he wasted all those years in Fall Out Boy.”

Also, he’s slimmed down and started dressing natty, to good effect. He looked like the next incarnation of Dr. Who. (right?)

I don’t go to shows every week (or even most weeks), but on the occasional night when I do get a chance to take in some music, New York is constantly full of surprises.

A Diaspora of Friends

Kind of a sad Thanksgiving this year. We just found out that some of our best friends are moving, and soon. This is a fairly regular occurrence for people in our social circle, and Corinne and I are used to it by now, but it doesn’t get any easier. I think we’re on our fifth generation of New York friends, and now they’re starting to leave, too.

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Looking down on everything

I swear, every single time I take a redeye flight home from the west, I tell myself it’s the last time. Even under the best of conditions, I usually hate flying, and I can’t sleep on planes, so redeye flights tend to result in 40-hour stretches without sleep. And if I’m taking a redeye, it’s usually so I can be at work the next day. I’m fine and functional once I get in my daily rhythm, but the mornings are awful.

Anyway, this isn’t a whiny post. The skies were clear this morning when my plane flew over Manhattan, and the view was amazing. The sun was up just enough to light the city, but the street lights were still on, so the whole city kind of shimmered. Even New Jersey was pretty (but only because I was too high up to smell it). I thought about taking a picture, but it wouldn’t do it justice.

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5 Secrets to Landing a Media Job in NYC


This post is an answer to a question I get all the time: “How do I get a job in the media in NYC?” I’ve written the same email response again and again over the years, so I thought I’d post it here so I could just respond with a URL from now on.

Secret #1 is a fairly obvious one: Internships. Jobs are hard to get, internships are easier to get–especially the unpaid kind. For some reason, universities keep cranking out students that want to be journalists, and while there aren’t NEARLY enough entry-level jobs for even half of them, interns are always coming and going, so there are fresh openings every few months.

The end goal of Secret #1 is to have a good internship on your resume when you start applying for paid gigs. Editors love to see clips from publications they’ve heard of, partly because it means a reputable publication has already vetted you, and partly because it reinforces our notion of a small, clubby media world in NYC. “Oh, you worked at such-and-such? How’s so-and-so?” Answer that question correctly, and you’re IN!

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The Secret of Gentrification

My last NYC-real-estate rant is here. It’s a much better read.

Corinne and I moved last week (we brought the baby along too). Not a huge change, we just moved 4 blocks north to get a bit more space and some other apartmental niceties. Our neighborhood in the Upper West Side is great, and we love it up here, but at the same time, it’s a bit bizarre. We moved 4 blocks and feel like we’re in a totally different neighborhood. This whole section of town in the nineties and low 100s is like that–every block is different. You can have the quietest, quaintest little side street, and then you turn the corner and you’re in the middle of a housing project with mounted police cameras on the street lights. And then you walk one more block and you’re at the fromagerie counter at Whole Foods.

Our neighbors who’ve lived in the neighborhood more than a couple years have seen big changes. Less bodegas, more Bank of Americas. We’ve even got a Michael’s craft supply store now. The word for this change is known to all New Yorkers, but I hadn’t heard it until I moved here: Gentrification. It’s what happens to a neighborhood when middle class and professional people move in, rents go up, Starbucks flourishes, and apartments get renovated.

I’ve lived in suburbs in four different states, and never saw gentrification until I moved to New York. In California, small towns become big towns, and the older neighborhoods get crustier, home values fall, and it’s tough if not impossible to reverse that trend. Continue reading

Mere Live Video from CMJ

Two items of good news from the band front:

1. Mere has been named Stereofame’s Artist of the Month! Big thanks to Stereofame and the SF community, which has been a huge supporter of Mere for a while now. Which brings us to…

2. The live video from Stereofame’s CMJ showcase is now online at Stereofame and embedded below. Great video and sound quality, fun crowd, and Dwight’s voice sounded AMAZING.  Only bummer is that I was hollering my lungs out on background vocals, but got lost in the mix–but perhaps that’s for the best. Anyway the video includes a Mere interview with Fuse TV’s Allison Hagendorf, followed by “You & I” and “Anything at All.”

Shoulda gone to law school

Some dude punched a bus driver 5 years ago, so I had to miss a week of work to sit on a jury and figure out if he actually did punch the bus driver. He pleaded not guilty, but the bus driver testified that the dude punched him and showed us a couple doctor’s notes verifying a facial injury. There were no witnesses to the smackdown as it was four in the morning. The defendant didn’t testify, and the defendant’s lawyers didn’t do anything during cross examination of the bus driver to indicate that some other scenario might have happened. So it was the bus driver’s word against…well…nothing. So…uh…guilty?

The question mark is because the moron defense was only rivaled by the moron prosecution; which, despite a completely open-and-shut case, and despite trotting five cops and MTA workers up and asking them about their occupation, education, number of children, and whether they prefer “Who’s the Boss” or “Family Ties,” never fully explained to us the charges of 2nd Degree Assault and whether punching a bus driver meets the criteria. So we go into the jury room and try to literally figure out if we missed something–because the case seems so simple, and the lawyers couldn’t be THAT inept, could they? In fact, it seemed so easy that it took the jury a while to figure out our verdict.

The only thing the jury agreed on right off the bat was that if either lawyer had been at all competent, we would’ve reached a verdict in two seconds, and it could have just as easily been “Not Guilty” if the defense had even tried to cast a reasonable doubt on the event. Instead, their argument was that the defendant didn’t “punch” the driver, he hit him with the back of his open hand. (Apparently the defense was trying to convince us that you can backhand a bus driver, just not punch one. Great defense.)

Oh, also, all this fuss over some dude punching some other dude 5 years ago. And the case has been to trial twice before already. That means 42 jurors have lost work days, and a judge, 4 lawyers, a bailiff, four court cops, a court reporter, and a court clerk have all been paid to sit on this case thrice (though I’m sure the staff was different for each version of the case). Your tax dollars at work, people.

Walk Don’t Run

I saw some kid totally run over a lady today as he sprinted to catch the Shuttle from Grand Central to Times Square. THE SHUTTLE. The one that comes and goes every 4 seconds! Every morning and night I see crazy dummies running for this train like it’s the last elven ship to leave the Grey Havens for the Western Realms (believe it or not, Corinne came up with that LOTR simile).

For those that aren’t familiar with the NY subway system, the S shuttle runs from Grand Central to Times Square. The trip takes about two minutes, and there are three trains, and during rush hour, they come and go every minute or so. Hypothetically, if the S train stopped running, you could walk its entire route in about 10 minutes.

And yet people run to catch these trains.

The Monson family is divided on the subject of running in public. Corinne’s thinking is that it’s NEVER ok to run in public except for exercise. Don’t compromise your dignity to catch that bus or to avoid waiting for the next train. Better to just be late to the job interview.

I’m a little more lax in my rules, probably because I’m usually running late (no pun intended). I allow myself to quickly jog to catch any bus, or the NRQW, L, and BDFV train lines. You miss an R train, and you could be waiting a long time for the next one. So go on and jog.

Sprinting–of the sort that occurs on the S platform–is acceptible only when a taxi is about to strike you dead or you’re being chased by fast zombies.

Mere Thoughts and Pics

Wow, three weeks later, I guess I should post the photos from the Mere show at CMJ. It was a great show at Ace of Clubs–sound quality was terrific, maybe the best-sounding show we’ve played. Funny story about the venue: The last show we played at Ace of Clubs was three years ago…and the room was literally empty except the bartender and two lovely ladies (Dwight’s and Brett’s wives). We were headlining at Maxwell’s the next night, and wanted our fans to go to that show, so we didn’t publicize our Ace of Clubs show very much. The booker was (rightfully) furious, so of course we burned that bridge and thought we’d never play there again. It was fun to go back and play to a packed house.

Sidenote: The other club we’ve been banned from is Snitch, because Brett almost got in a fight with the booker a couple years ago. But that was fine; we played several shows there and the sound guys were horrible, and on any given night, half their amps were blown out and one of their mics wouldn’t work (or something). Plus their drink prices are ridiculous, so our fans didn’t like the club any more than we do.

Anyway, the CMJ show a few weeks ago was my second Mere gig on the drums. I played for years when I was a kid–even dropped out of college for a semester to play drums in a rap-metal band in Portland–but I loved playing bass with Mere. Drummers are stuck sitting down during shows, and playing drums requires concentration (and playing drums and singing takes practice). Let’s be real: bass guitar is the easiest instrument in the world. I could play my bass, sing some backup vocals, and have plenty of brain power left over to enjoy the show and feel the energy.

But once in a while, it’s fun to sit at the kit and bang on some cymbals. Brett, the rhythm guitar player, took over on bass, and we were lucky enough to get erstwhile Mere singer/songwriter Christian Brucculeri back into the lineup on rhythm guitar and vocals. He even sang lead on Try, which is my #1 favorite Mere song, and is probably in my top 10 favorite songs. Christian wrote several great Mere tracks like Anything At All and Falling. Great singer and great songwriter, as is Dwight, so having them both onstage was great.

And now, for some pictures (courtesy of my buddy Daniel Parker):